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别名:
Asta Upset
导演:
主演:
上映:
2014-02-10(柏林电影节)
更新:
2024-05-31 13:25:33,最后更新于
1月前
豆瓣评分:
0.0分
备注: WEB-1080P
剧情:
The film is set in a modern day ‘Berlin Republic’ liberated from all irrelevancies. It’s about artistic production, the creative industries and above all film and cinema – a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips. She’s no hippie broad, but rather a modern-day warrior, verbally sparring with legendary actress Hannelore Hoger, her ‘film mother’, about her hobby of urban gardening. After the relentless competition between curators over the funding for her exhibition ‘The Cinema! The Art’, for which Hannelore Hoger even whispers inaudible recommendations into the ear of the German President, Asta ultimately plumps for international backing from an Indian friend. He luckily happens to be with her out in the country when she bumps into her arch-enemy Ms Top Cultural Department Brass, a meeting with far-reaching consequences. The film is an entertaining dissection of the current state of the cultural industry, for which ‘left-wing’ and ‘right-wing’ are relevant, yet oddly obsolete categories. (Berlinale 2014) 收起
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电影《我不愿故作激动》的剧情详细介绍
◎影片名称:我不愿故作激动
◎影片别名:Asta Upset
◎影片类型:剧情,喜剧
◎豆瓣链接:25825711
◎IMDb链接:tt3471498
◎影片时长:84 分钟
◎影片编剧:马克斯·林兹
◎影片主演:尤利安·拉德迈耶
◎上映日期:2014-02-10(柏林电影节)
◎影片地区:德国
◎影片语言:德语
◎更新时间:2024-05-31 13:25:33
◎影片剧情:
The film is set in a modern day ‘Berlin Republic’ liberated from all irrelevancies. It’s about artistic production, the creative industries and above all film and cinema – a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips. She’s no hippie broad, but rather a modern-day warrior, verbally sparring with legendary actress Hannelore Hoger, her ‘film mother’, about her hobby of urban gardening. After the relentless competition between curators over the funding for her exhibition ‘The Cinema! The Art’, for which Hannelore Hoger even whispers inaudible recommendations into the ear of the German President, Asta ultimately plumps for international backing from an Indian friend. He luckily happens to be with her out in the country when she bumps into her arch-enemy Ms Top Cultural Department Brass, a meeting with far-reaching consequences. The film is an entertaining dissection of the current state of the cultural industry, for which ‘left-wing’ and ‘right-wing’ are relevant, yet oddly obsolete categories. (Berlinale 2014)
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